Tell me if you’ve heard this one.

A large headed man with a halo, The Apostle Paul by Aidan Hart
The Apostle Paul by Aidan Hart

There’s a joke that’s been coming back in my mind for a while, now. I can’t remember the details, and it makes me crazy. I don’t know if it’s a joke, or one of those academic urban legends, or both. Here’s what I can remember.

Students in a theology course at a prestigious university spread a rumor amongst themselves. The rumor was that the class was very difficult, requiring a lot of reading and study, but the final exam was easy, provided you had some inside information. It was rumored that the exam was only one question, a long essay, and the question was, “describe and explain the life and times of the Apostle Paul.” This was a lot of information, true. But if you were ready for it, you could narrow down a ton of your studying, and sail through the course.

finalsSo far, the rumor had turned out to be true. For many years, the students came in, sat down, and were presented with the final exam question: describe the life and times of the Apostle Paul. Students told their friends, “dude, you gotta take this class, it’s not totally easy but you really only have to know this one concept for the final, you can sleep through all the lectures on whatever else.”

Finally, one year, the professor who taught the course got wind of the rumor. When the students came in for the exam, they were provided one essay question.

“Explain the existence of God. Cite examples. Use both sides of the paper if necessary.”

The students stared in disbelief. They hadn’t prepared for anything resembling this. Some of the students walked out immediately. A few tried to scribble out a haphazard answer, before shuffling up to the front of the room and sheepishly putting their papers on the professor’s desk. One student, however, did something different. The student started at the question for a long time, then started writing. The scratching of the student’s pencil was slow at first, but gradually it gained speed, in the way that comes from confidence. The student carefully filled both sides of the paper in small, neat handwriting, using proper paragraph and essay structure.

When the exam time was almost finished, the student brought the paper up to the front desk. By now the room was almost empty. No one was left but the professor and the lone student. The kid’s pencil was chewed down to a nub. The professor had stopped doing other work and had just watched the kid scribbling away, with a bit of amazement. No one else had even hung in there and tried to complete the exam.

“Listen,” said the prof, “You’re the only one who hung in there and took this exam seriously. I mean, there are a few half-hearted tries that were handed in, but nothing even came close to a reasonable exam answer. I’m giving you an A+ for the entire course.”

The student said, “You sure you don’t even want to read it?”

“I don’t have to,” said the professor. “Students like you are the reason I teach. Have a great summer.”

“Are you positive?”

“I’ve got my grade book right here. Look. A Plus. That’s ink. It’s done. Now go on, get out of here, so I can go home. Go play frisbee on the quad or something, you’ve earned it.”

(I heard this story in the 80s.)

The kid said, “Okay,” and skedaddled out of the room as quickly as possible.

The professor looked down at the paper, thinking about how he’d happily put an end to the rumor about his easy exam, and thought maybe this would mean he’d get good students next semester. Good students, like this kid. Right?

“Explain the existence of God. Cite examples. Use both sides of the paper if necessary.”

The kid ‘s opening paragraph read as follows.

“Who are we, as mere mortals, to explain the existence of God? Such hubris goes against everything we have learned this semester. Therefore, I will take this time to describe and explain the life and times of the Apostle Paul.”

It bugs me that I might not be telling this joke correctly. Maybe the message I’m taking away from this story is something I’ve mis-remembered and made up, not the real intention of the story. I’ve tried looking for it in theological humor message boards, academic humor message boards, so on and so forth. The punchline has been popping up in my head a lot lately. My friend Nick  and I were discussing this joke recently. I said I couldn’t figure out why it kept sticking to me. He suggested, “Write what you prepared, not what they demand. ”

Mme of Gloria Anzaldua that says, 'you should be writing."There’s more to it than that, but Nick summed it up pretty well. Lately I’ve been not writing as much. I worked on writing and rewriting Season 2 of Jarnsaxa Rising for about a year,  and now we’re in the editing and production stage. I’m feeling a little bit guilty right now for taking time away from doing dialogue assembly. The itch to write gets answered by the demon of doubt, saying, “who would want what you write?” And I worry a lot about writing what people want, as any playwright will tell you. After three or five or seven full-length plays, there’s only so much looking within you can do, without looking outside. With a social media infested world, by the time you get together enough information for a reasonable play idea, it’s become last year’s meme.

But, honestly, if you want to write about The Orville or incentives to recruit volunteer firefighters or Westworld or kitten season, it doesn’t really matter if someone else wrote about it first. As Kerouac said, “it ain’t what you write, it’s the way atcha write it.” Actually, I don’t know if he said that, but a friend of mine had a coffee cup with that quote on it attributed to him, and we both worked at Borders at the time, so it’s not too far-fetched.

So, why can’t I toss out a bunch of pop-culture observations, like R. Eric Thomas, and still write good plays, like R. Eric Thomas? Actually, these days I’m writing audio drama, but the reason for switching is a thorny one, and I’ll save that for another time.

So, anyway. My point is, does anyone remember this joke? Does anyone know anything about it? Am I getting the message correctly, or is the story something else? Am I mis-remembering The Three Little Pigs and thinking, “wow, the pig that built the house out of sticks was a genius?”

My other point is, I disagree with Joanna Robinson, I don’t think Terminator Dolores and Evil Young William are all that bad, because characters have to start out horrible for their eventual redemption to mean anything. But I like listening to Joanna Robinson.

Really, my point is, we should all be writing with fearlessness, and reading with fearlessness. Tennessee Williams used to write “Avanti!” at the top of the page when he started writing for the day.  Onward and upward.

 

 

 

 

 

Want to help us make a story?

Lathgertha_by_Morris_Meredith_WilliamsIn six days, Vince and I are going to take A Big Risk. We’re going to get on a plane (Vince hates flying) and go to Minneapolis, Minnesota. There we’re going to hand a script to a room full of people, most of whom I haven’t met (first-draft readings take a pint of my blood), and we’re going to read it, rehearse it, record it, and make a serial podcast out of it.

This is Jarnsaxa Rising.  Ancient Norse Gods use humans as pawns to battle each other. When an ancient giantess takes human form to engage in eco-terrorism, a corporate team tries to stop her, and learns who the real enemy is.

Vince testing our portable recording setup.
Vince testing our portable recording setup.

The script is stylistically different for me, in narrative and in craft. I’ve never written science fiction or fantasy before. Adjusting to audio drama is also new for me. Vince has done a lot of sound engineering and still experiments with it for fun. He’ll be performing all of the sound engineering and writing all of the music. We made a sketch comedy podcast episode to prove to ourselves we could do it. Now we’re getting involved with other people and going on a journey.

Carin Bratlie believed in me enough to produce Traveling Light years ago, and now we’re going to go take a leap of faith together again. She’s assembled a solid, smart cast, and she’ll be directing.

Now’s your chance to be part of our trip.

We are 14% funded on the Indiegogo campaign that will fund this project. The podcast will be produced and be available online for your listening pleasure this autumn, whether we reach our funding goal or not. As I write this, twenty-one people have said, “Hell, yes, I want to support this story.” You can join us.  

They say life is a bowl of cherries in Minneapolis.
They say life is a bowl of cherries in Minneapolis.

Right now I feel like my viscera is all clenched up in the center of my chest from excitement and anxiety. I’m rewriting the big final battle of the story, and I want to make everyone proud.

Things are looking up!

Georgia O'Keeffe, photographed by Alfred Steiglitz. Good things are happening.

I’m pleased to announce that Wide Open Spaces will be read as part of the Philadelphia Women’s Theatre Festival this summer!

Wide Open Spaces is the play that I wrote about Georgia O’Keeffe, and her personal changes that made her the painter we know today. It has forty-some odd characters played by eight performers, and takes place in one room and all across America over three years, so this is going to be a good experience. I’m really excited about this, and grateful that the festival coordinators see what I’ve seen in this story.

Philadelphia’s never had a theatre festival specializing in work created by women, before this year. Ms Fest at Plays & Players was a huge success, so the energy of supply and demand is high for a women’s theatre festival.  Currently, the PWTF is raising funds to make the festival happen, and you can support this project.  They have four days left to meet their fundraising goal, and donations are tax-deductible. 

I know so many people who complain at being left out of opportunities. There’s so much “they don’t want me because I’m too (x, y, z) for them” that I hear, and I want to be in a culture of saying “yes, and.”   This is one of those times where we can step up and build the sandbox in which we want to play.

Speaking of building your own sandbox, progress on Jarnsaxa Rising continues. In addition to the script, I’m working on “meet the artist” posts for the podcast’s blog. Every time I open up my e-mail, see the performers’ headshots and read their bios, I get all warm and giggly inside. This project is going to be Really Good.

And, of course, if science-fiction-fantasy podcasts are your thing, you can join us on the journey.

IMG_3686 And last night it rained, finally, so the garden is getting wild again. The red lilies are blooming and doubling and trebling, and the morning glory vine has started to fight with the lavender, but they’re no match for the mint, so I have to get in there and break up some of this battle.

 

 

Mint vs. Lavender vs. Morning Glories. QUIEN ES MAS MACHO?
Mint vs. Lavender vs. Morning Glories. QUIEN ES MAS MACHO?

 

 

 

Orphan Black Is My Personal Trainer

Not only are the Sestras of Team Leda my personal trainers, but also, as a result, I can survive car crashes, get stabbed through the side with rebar, run, fight, shoot with accuracy, and dig a grave through a cement floor. Impressed?

Don’t be. I may be exaggerating. Let me back up a bit.

During the summer of 2013, I lost about eighteen pounds. This happened through a combination of hopping up and down on an elliptical machine at Planet Fitness, and eating mostly blueberries and almonds in order to win the respect of  [popular Philadelphia actor and local vegan] Doug Greene. It was fun, for a while. Then,
a) I learned that Doug Greene’s kindness is so vast that he really doesn’t care if I eat things which can not be easily foraged, and

b) The televisions at my local Planet Fitness succeeded in driving me out of there. That’s right. The terrorists’ televisions won.

Here’s the battle. I had a pretty good system for making regular exercise part of my life. Roll out of bed, pull on the pile of work out clothes I thoughtfully placed [okay, dumped] on the floor next to the bed the day before, put earbuds in ears, and with my gym only a few blocks away, I’d be at the gym and on the elliptical, chugging along to “Doctorin’ The Tardis,” before I really woke up.

OB1-596x335  Unfortunately, the Wall Of Televisions across from the elliptical machines were extremely distracting. The morning parade of anorexics, invented health scares, and celebrity bullshit which passes for news drove me far away from sense and sensibility. One day I saw Olivia Wilde, being interviewed about her role in a movie in which her character allegedly liked to drink a lot of beer. I thought, she doesn’t look like she’s ever touched a beer in her life. She’s as light and luminous as a snowflake. She probably eats nothing but organic arugula and pure mountain spring water. Then, some weird part of me thought, you could look like that if you ate only twelve handfuls of almonds a day. It’s possible. And just look how much better her career is than yours.

Fortunately, some reasonable part of my brain (the part that likes eating, moving around and having cognitive function) said, NOPE, that’s not a healthy mind set. I got my priorities in order. After that, the televisions at the gym made me so angry, that I stopped going to the gym. Music wasn’t enough to keep me going, with TV flashing and flickering away in front of me.

OrphanBlack_S2Ep10_251-596x335 Recently, I was talking with some friends about how I wanted to write a Tv drama spec script for my portfolio. My co-worker Kevin suggested that Orphan Black might fit my sensibilities. I hate sitting and spending copious amounts of time staring at something without doing something else along with it, so I thought, I’ll watch it at the gym. I bought the iTunes season pass for the first two seasons, and away I went on Leda’s Big Adventure.

This show is absolutely ideal as a companion for cardio, especially if you’re stuck indoors at one spot*. Its style, as a one-hour adventure-sci-fi-drama- is ideal for a 45-minute workout.

ob121-596x335  TV writing is formulaic, even for a genre-defying show like Orphan Black. Dan Harmon’s narrative structure method shows this formula best. Essentially, with a 40-45 minute show, you’re going to have moments of tension every five or six minutes. Every other moment of tension will be a major moment of tension, and they will increase in intensity throughout the story.

To try to make things simple, these are your big turning points of story.
1) A person is in a place of comfort
2) But they want something
3) They enter an unfamiliar situation
4) Adapt to it
5) Get what they thought they wanted
6) Pay a heavy price
7) Return to where they started
8) Having Changed.

OrphanBlack-Ep5-1-596x335In the case of a serial thriller like Orphan Black, you’re not going right back to the beginning, necessarily, you’re only back to square one in the sense that you’re still fighting The Bad Guys. Your favorite clone makes progress, but not enough for her to win freedom for herself and her family.

So, when you’re working out, these points of tension will make you move faster. The first ten minutes or so, even if they start with Sarah or Cosima or Allison or Helena in a major pickle, are at least a pickle with which the viewer is familiar. The episode is establishing itself, and this gives you time to get warmed up. After about ten minutes, our heroine gets presented with a new difficulty, and that makes the tension pick up. Usually, by about fifteen minutes into the episode, there’s a bar fight, a critical code to be cracked, or a chase that makes the viewer more tense. So, the natural response is to do what? Move faster. Each conflict increases the tension, leading to a plateau, and then another increase, until the inevitable cliffhanger ending, which leaves the viewer wanting more.

OrphanBlack_S2Ep9_20-596x335Mirror Neurons being what they are, we can’t not get tense along with our favorite characters. Every time they get into trouble, we do what they know they should do; tense up, and run, or fight. It’s a perfect thing to keep you going when you’re at the gym. There are some exceptions, however. When Paul pressed the stolen (spoiler object) into the palm of Felix’s hand, I hauled on the brakes on the elliptical foot pads so hard that I almost fell off of the machine. So, be careful. This show is not to be taken lightly.

It’s true that many television shows follow this formula, and probably any one-hour drama or police procedural could fit the bill. Why not just go to the gym a couple of hours after dinnertime, and catch one of the many variations on CSI or Law & Order? Because this is Orphan Black, and it’s a whole new modus operandi in story.

251-596x335
The more things change, the more they stay the same.

One actress, Tatiana Maslany, plays the main characters, all of whom share the same DNA, but are as different as chalk and cheese. Each of them has secrets, and has to pretend to be something she’s not. Anyone who wants transformation, or has just had a very bad day (why else would you get on an elliptical machine?) can empathize with Clone Club. The clones battle and support each other in similar but unique voices, much as different facets of one human’s personality. Yet they all work toward a common goal; independence and safety for themselves and their family. Because one actress plays all the roles, the viewer gets pulled into the concept of transformation. The body becomes immaterial; what matters is the clones’ desires, actions, and manners of self-expression. For someone who’s trying to get more exercise, this hits home. Ultimately, the premise of Orphan Black is, “Is biology destiny?” Is our body all we are, or can be? For all women, we want to feel like our bodies are less important than our personalities, thoughts, and desires. In the case of Orphan Black, the human body is a part of oneself, but not the entire existence.

OrphanBlack_HelenaGallery_02-596x335  Having this show accompany me as I work out makes me more excited to go to the gym. It makes me think about the body in terms of strength, health and autonomy. It distracts me from all of the usual chatter in which we engage, concerning fitness and working out. Maybe I’m not doing this because I want to look like the women on The Today Show or Good Morning America. Maybe I’m doing this in case I ever have to dodge a sniper’s bullet or run for my life or fight off a bunch of armed goons. The characters on this show are flexible but tough, capable of change, but focused, and always moving up. It’s the best workout companion I’ve ever had.

I have not yet seen Season 3, other than the occasional trailer or sneak peek. Like I said, I don’t have cable (although Episode 1 of Season 3 is available online. BUT FOR HOW LONG???). As far as I can tell, some of what the new season concerns is how big business (i.e., Dyad), can control the human body, how the government and military can get involved (such as in the case of copyright), and what people can do with their bodies. These ideas scares me, particularly since we see this all the time. We see it when women starve themselves to fit a business’ idea of what a clothing size is, when people make choices about food, self-care, residence or birth control based on what corporations say is safe and healthy. I’m glad this show is exploring these ideas, in an interesting and inventive way.

And no, I never wrote the spec script, because I was too busy being in love with the show. I probably will eventually, anyway. Wide Open Spaces made the semi-finalist level for the National Playwrights’ Conference at The Eugene O’Neill Theatre Center, so I can’t possibly be that bad at this whole thing, right?

Hide and steek

Today I took a huge risk, which un-nerved me to my very core, the name for which not even Autocorrect recognizes. I tried steeking.

Steeking, for those of you who aren’t knitting geeks, is the process by which knit material is cut and sewn to make it into something else or smaller or whatever. In my case, I had pretty much given up on the project, and figured I had nothing to lose by trying out the process.

I tried knitting a hat, using Plymouth Yarns’ Gina in 0001. I wanted a loose, slouchy hat which would cover my ears, without mushing my hair irretrievably flat against my head. So, I looked at Bohoknits’ Sockhead Hat (which is a terrific pattern) and modified it to accept the different gauge of this thicker yarn.

I also wanted a diagonal rib for the 4″ band at the hat’s brim, because I think it’s more interesting to knit.  Unfortunately, despite measuring my melon and taking careful notes, I ended up with a giant family-sized salad bowl of a hat.

My head is smaller than a 2-liter soda bottle. I promise.
My head is smaller than a 2-liter soda bottle. I promise.

In this case, a normal person who wanted a hand-made custom-fit hat should do one of two things:

1) Get an expert to make it for you.

2) Frog, or unravel, the knitting, and start over.

Unfortunately, when it comes to clothing myself in cold weather, I am more stubborn than rational. So, I know that if you run wool through the washer on a warm cycle, it will shrink. This process is sometimes called felting, and sometimes called tragedy.  I decided that this hat was so big it could afford to participate in an experiment in shrinkage. So, not only did I run it through a clothes washer on a hot cycle, I ran it through a hot dryer.

diagonal rib and stockingette stitchesFor what it’s worth, let me show you how pretty the stitches looked before felting.

Thank you.

I also have to say that this yarn is as soft as a baby lamb’s earlobe. I knew felting would take away that feel. But baby, it’s cold outside.

So, a risky hot water wash and hot air dry later, I ended up with a hat that felt more tightly knit, but, guess what, was EXACTLY THE SAME DAMN SIZE. This is truly a testament to the resiliency and durability of Plymouth Yarn. I’m sure they make a yarn specifically for felting projects. If you want a yarn that won’t get ruined in the wash by mistake, I recommend this. And yes, it’s 100% wool.

Meanwhile, I still had a fuzzy floppy fruit bowl.  I thought, I give up. I can’t frog it now, because it’s about 50% felted. I tried wearing it, and it flopped and any breeze threatened to blow it off my noggin. Finally, I folded up part of it and pinned it with a safety pin to make it fit more snugly.

Then I remembered steeking. I’d read about it in some knitting books, but never actually done it, nor seen it done. I looked up some YouTube tutorials on the process, and saw that it required more skill and foresight than I had for this project. Today, I said, screw it, I have nothing to lose at this point.

IMG_3287

 

I measured out how much had to go, turned it inside out, and sewed a row of stitches across the hat, making a dart.

IMG_3289Then I took a pair of scissors and a deep breath, and cut the extra part off.

And here’s what I got:

me wearing my hat, after steeking.
Yes, that is a giant Darth Vader Pez Dispenser on our tchotchke shelf.

 

I like it. It fits, it’s comfortable, it looks cute. I am running it through another hot wash to see if I can get the new stitches to felt and mush with the rest of the yarn, so that seam will be more durable.

So, yeah; it’s been a while since I’ve last posted here. I’ve been applying for jobs and submitting scripts to opportunities. My track record has averaged one submission a day since last May. So far I’ve had a few good things come back (for example, The Wreck Of The Alberta had a reading with Athena Theatre Company, and it went Really Well, they’re good people). But it must be reading season, because I haven’t heard much lately.

Stay warm and safe.

Are you in Southern California?

If you are, or plan to be, in the Los Angeles area on Thursday, November 13, you owe it to yourself to head down to Casa 101 Theatre in Boyle Heights to see Teatro MOZ.

@Jules Dee Photography 2014. Jeanette Godoy and Katie Ventura in rehearsal.
@Jules Dee Photography 2014. Jeanette Godoy and Katie Ventura in rehearsal.

Tickets are now available for a showcase of Latino-American love for the man whose voice helped redefine masculinity, Morrissey.  The short plays are all culled from a nationwide call for submissions. I took a gamble with my friend, DJ and cultural connector, Rhienna Renee Guedry.  We wrote a play about bicycles, not having sex, and woman-loving-women who love Morrissey, and sent it in, crossing our fingers and clapping our hands because we believe in fairies.

A few weeks later, we were fortunate enough to have our play, Pretty Petty Things, chosen as a finalist.

Unfortunately, I’m unable to get to Los Angeles from Philadelphia right now. BUT, if you can, you should! The cast is not only talented and skilled, but also gorgeous. The show promises to be a tour de force, complete with live musical performances and a lot of sweet and tender hooliganism. It’s only playing for one night, Thursday, November 13, at eight pm.

@Jules Dee Photography, 2014. Jeanette Godoy and Moises Rodriguez in rehearsal.
@Jules Dee Photography, 2014. Jeanette Godoy and Moises Rodriguez in rehearsal.

How often do you get to see a theatrical event that combines Latino contemporary life and California culture with the Anglophilic pop sensibility of the former frontman of The Smiths? Come to Casa 101 Theatre, 2102 East First Street, Los Angeles, California, 90033, for a singular dramatic event.

Tickets available at this link!  Go get ’em, Tiger!

 

 

 

 

Comments and Search Terms, or SEO Writing and Pat Smear

IMG_2296  SEO (Search Engine Optimized) Writing seems to be the main topic of interest that anyone ever comments about here on this little blog of mine. It’s fascinating. With all of the writing that I and sometimes my husband do about pop culture, music, theatre and the occasional recipe for canine cuisine, the one weird trick that always comes through in the Comments section is something like this:

Good morning writer and hello to you your website should have more traffic driving it I can make with SEO content your website traffic increase by one thousand and ninety seven percent, SEO is the wave of the future just like jetpacks and flying cars SEO Writing is a rare and highly specialized skill to use SEO keywords optimized to bring the highest Google results and increase your market potential my SEO experience and background in writing fluentest English extensively can bring SEO to your website now and make lots of more big dollars for you and myself huge potential contact me now sir more info about SEO Writing. 

To which I say, wow, thank you for the word salad, and hit delete.

I’ve done a fair amount of SEO writing, and I’m not a bad SEO writer. A client contacts me, because they want some content on a particular topic for their website, and they want someone to do the research and write about it in an accessible way.  They tell me how many words they want, usually around 300-500 per article, and what topic. I research it, write about it, rewrite it again to make it more concise and reader-friendly, and send it. They pay me, and everyone’s happy. They get clear, concise, accessible, researched website content to explain more about their product or service, and I get paid to do something at which I’m good and that I enjoy.

800px-Stipula_fountain_pen  The difference between SEO writing and other kinds of writing is the search engine optimization.  In order for the article to rank highly in search engine results, it has to use the same keyword as many times as possible. So, if you write an article that used the phrase “SEO writing services” once in the entire 500-word article, its page won’t have as high of a rank as, say, one that includes the phrase “SEO writing services” seven or eight times in those 500 words.

Now, when I was a wee lass learning to write out on the Quaker farm, where we still used paper and pencils, we were taught that repeating the same word too many times is tiring to a reader. And of course, since it was a Quaker school, wasting paper and graphite was a terrible sin. We learned not to bore our audience by repeating the same word over and over again. Sadly, the Internet was a gleam in the eye of a developer, and “page rank” was never discussed in seventh-grade writing classrooms.

But now, in the writing marketplace, repetition is good. However, a good SEO writer has to find inventive ways to make sure that the finished product is a clear, informative, helpful article with genuine information. It can’t just be a string of keywords, like a pattern of colored beads.

Currently, on Elance.com, writing is the second most high in demand skill, second to Web design. You’d think that a good SEO writer would be working 9-5 every day and making $40 an hour. Unfortunately, the offers are very strange, relative to the expected product and service an SEO writer provides.

As I write this, mostly based on experience, my current word count is 618, and it’s taken me roughly 20 minutes. I’ve barely done any research on this topic, other than a few quick glances at Elance. If I were to write an article with citable examples and footnotes, it would have taken longer. Furthermore, a shorter article takes more time, because of the thought process involved in condensing a topic. There is a reason that the haiku is an art form.

Most clients offer, for a 500 word researched article, using SEO writing, less than five dollars. I have been offered as little as six-tenths of a cent per word.

I have been fortunate, in that clients I’ve worked with have paid more, and they’ve been happy with my work. Unfortunately, these clients are few and far between. It’s really sad that the ability to write well is so undervalued, and it sincerely makes me wonder what I’m doing with my life sometimes. But, I’m really good at this, I can’t stop doing it, and this is what I want to do for a living.

In other news: The search terms used to find this blog, relative to the actual content, are often interesting. I think of this as a place for us to write about our music and theater projects. The most popular search terms used to find this blog are as follows:

m/s song of norway david bowie t-shirt

what strings does paul weller use

bowie video thank you for shopping

Now, I don’t know if I want to turn this into a British blue-eyed soul blog, but maybe there’s a play in this somewhere. If people are mostly interested in the secret hidden meaning behind David Bowie’s marketing artifacts and Paul Weller’s string choices, bless their hearts, they’ve come to the right place.

Only one of the search terms used to find this blog was phrased in the form of a question, and it’s a good one. I’ll try to answer it.

I am 16 do I need pat smear

"Patsmear" by Andrewbootlegger at English Wikipedia - Transferred from en.wikipedia to Commons.. Licensed under Creative Commons Attribution-Share Alike 3.0 via Wikimedia Commons -
“Patsmear” by Andrewbootlegger at English Wikipedia – Transferred from en.wikipedia to Commons.. Licensed under Creative Commons Attribution-Share Alike 3.0 via Wikimedia Commons

Pat Smear is, of course, a guitarist in the ubiquitous Foo Fighters, and was occasionally an additional live guitarist for Nirvana. Both bands are and have been among the most popular music in America, and I’m sure that if you turn on any rock or college radio station in America and wait a few minutes, you’ll certainly hear “Learning To Fly.”  I’m not saying that this is a bad thing, it’s just that it’s everywhere.  So since you phrased your question in terms of need, I’m not sure that they answer is yes.

Could you benefit from Pat Smear? Sure. But do you need to seek his work out, like a signed first edition of To Kill A Mockingbird?

If you’re going to do that, I recommend starting with work more indicative of his particular style than the latest Foo Fighters album, or Nirvana’s MTV Unplugged In New York album.  I think it’s time that you catch some Germs.

Okay, you’re sixteen, which means that the Los Angeles punk scene’s heyday was long before you were born. The Germs, however, are widely considered to music historians as one of the most influential bands in punk. Pat Smear played guitar, Lorna Doom played bass, Don Bolles was the drummer and their lead singer was Darby Crash.  Joan Jett produced their one studio album, (GI), in 1979. Despite critical acclaim for this album continuing to the present day, the band broke up following Crash’s suicide in 1980.  You may want to get your friends together to watch Penelope Spheeris’  documentary The Decline of Western Civilization, as well as the biographical film What We Do Is Secret. 

As you’re watching this, take a look at how these individuals were able to rebel against corporate capitalism without using the Internet (to say nothing of cell phones or Pitchfork), as well as how women presented themselves as agents of their own fortune and/or victims of male rebels. Ask yourself, what is victimization, and what is power, and how do these individuals make use of these systems of domination and control?  Do they win or lose? How and why? Then pick up a copy of (GI), and congratulate yourself on confusing the hell out of your parents by embracing an important part of American history.

At age sixteen, do you need Pat Smear? Yes, but you also need Joan Baez. You need music that will fan the flames of your adolescent curiosity and ambition and fuel you to make the most out of your life. Go for it.

I realize that it is entirely possible that what you meant to write is “I am sixteen do I need a pap smear,” in which case, that is a personal decision you should make with a doctor or nurse practitioner.

However, if you are really concerned about cervical cancer, here are some resources which may be helpful.

Pap tests and HPV tests, Planned Parenthood

Is a Pap test necessary every year? by Debbie Saslow, PhD

New Guidelines Discourage Yearly Pap Tests, by Mikaela Coney, ABC News

It’s a full-service blog here, I will tell you what. I can provide excellent music advice and SEO writing.

Any questions? 

You have never been in love until you’ve seen the stars reflect in the reservoirs

140514-morrissey-twitter-follow-tweet  Earlier this summer, I was browsing through different lists of playwriting opportunities, and I found one that reached out to me like a beacon in the dark.

TEATRO MOZ,  sponsored by Real Women Have Curves Studio, is sponsoring a short play contest. Do you have a dramatic memoir about the first time you fell in love with this Charming Man? Do the lyrics or title of a Smiths/Morrissey song inspire a story in your soul? Submit a short MOZ-themed play for a chance to win prizes and a staged reading of your piece by professional actors later this year!

I thought, that sounds so crazy it has to be fun.  I know next to nothing about Morrissey, but I bought “You Are The Quarry” when it first came out, and loved “Irish Blood, English Heart.”  I listen to The Smiths’ older hits quite a bit, and the sense of desire and longing, maybe desire for desire itself more than fulfillment, speaks to my inner gay man. Usually themed play contests and showcases are about heavy topics, but I’ve never seen anything like this before. I thought, I love this.

Morrissey blue satin jacket  So, I sent a quick e-mail to my friend Rhienna. She is a DJ and creative connector (as DJs tend to be) in Portland, and every year she runs the annual Morrissey Mobile Disco bike ride as part of Pedalpalooza.  Basically, a lot of people get together and ride a pre-planned course, with decorated bicycles, Morrissey look-alike outfits, and, of course, music, music, music.  I thought if anyone knows anything unique and fun about the phenomenon that is Morrissey, she does.

We had a cross-country confab. Oddly enough the deadline for the play contest was immediately following the next annual ride, so she had plenty of fresh material. We talked about Morrissey, his cancelled tour dates, loving him from afar, how his appeal transcends boundaries of sexuality and gender, and how the ride is a really fun time.  and how riding bikes with a group on a gorgeous summer evening is a fun young and in love or in love with love thing to do.  Their course’s goal was the Joan of Arc statue in Coe Circle, and since it’s beautiful and Philadelphia also has a Joan of Arc statue, I had to work that in.

She gave me a lot of information, helped me sort through ideas, and I typed it up and sent it.

Today, we got an e-mail from Teatro MOZ that Pretty Petty Things was picked as one of ten finalists! Which means it’ll be in the showcase!

Morrissey and good-looking men on bicycles

 

Not only am I excited about this, I’m excited about what this means. Basically:

Someone in LA loves the phenomenon that is Morrissey and his music to say, “let’s put up a short play festival about this thing I love.”

And a professional theatre said, “Sure. This is new, this is different, yes, we’ll back it.”

And they sent a call for entries out.

Meanwhile, in other cities in other parts of the country, two women said, “You know what, that sounds like fun and it’s something I know a little bit about, I’ll work on something and send it in and if they like it, they like it.”

Basically, once again, as Lorna Howley said, what is theatre but a big party?

I love the idea of people getting positive ideas and putting them together to make something bigger and better. which, in my opinion, is what theatre is all about. 

and I can’t wait to find out why the celebrity judges are. I’m secretly hoping for Thomas Lennon.

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an august return

ompf-logo-2-copy  I hate admitting to being excited about plans at the outset, because I’m always afraid I’m going to jinx myself. But, I have to say I’m pretty excited about The Second Annual Philadelphia One-Minute Play Festival. 

Last night, Dominic D’ Andrea sent out the e-mail explaining the groupings of scripts and pairing with directors, and just reading it feels really, really good. Dominic D’Andrea is one of the hardest working men in show business: he produces these One-Minute Play Festivals all over the country. They’re not just specialized by city or state; INTAR Theatre has partnered with the OMPF to create the One-Minute Play Festival of Latina/o Voices twice. The focus and energy of last year’s Philadelphia show was contagious enough to sell out all three performances. Remembering how much fun it was to watch and be part of, and looking forward to this new show, is making me feel all twitterpated.*

One of the goals in writing a piece for the One-Minute Play Festival is to reflect or explore a issue or trait unique to the host city, in a simple, powerful theatrical moment. So, basically, it’s a living haiku about our experience right now. They take longer to cook up and picture in your brain, than they do to actually write. When you write them, you have to write them so they’re actually much shorter than a minute, to give the actors room to breathe and be aware in the experience.

This is why we write plays, so we can take a plan and hand it off to other artists and see what they do with it.

Anyway, I’m excited, and based on the names and information I’ve seen so far, this promises to be a really good show. It takes place on August 3, 4 and 5 at 8pm, at the Adrienne Theatre. Yes, they’re school nights, it’s summer, deal with it. All the good stuff happens on weeknights anyway.  I get more excited over new plays than babies or jewelry.  This is going to have over a hundred new plays.  Whee!

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*Don’t know the word “twitterpated?” Neither does Autocorrect.  Walt Disney’s 1942 movie, Bambi, provides a pretty good working definition.

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