Knock knock. Who’s there? Hamlet.

Many years ago(okay, ten or so), my brother Ted asked me to write a script for him to perform with his puppets. So I adapted Hamlet into a five-minute version for him. The script was lost, found, lost again, and now found again, so I’m putting it up here. My father says it’s terrible, butContinue reading “Knock knock. Who’s there? Hamlet.”

First prize: Seven Days in Minneapolis

A weeknight in February is not when you most want to be standing on the side of a road, in the dark, alone, in Minneapolis. Local temperatures were less than a respectable grade point average and nearing a blood alcohol count. For the first time, I opened the compass on my phone and used itContinue reading “First prize: Seven Days in Minneapolis”

Free story writing advice, some of it might be good.

Lately I’ve been reading a lot about what constitutes good storytelling, in playwriting and screenwriting, and what I’ve read has seemed to miss the point. I’ve also seen some really bad plays lately, and life is too freaking short for bad plays. There seems to be a lot of “make stuff happen” or vague metaphorsContinue reading “Free story writing advice, some of it might be good.”

Twins. I’m having twins.

  No, I haven’t been posting lately, although I have been writing.  To say I’ve had a lot on my mind would be an understatement. Last night I was sitting in an armchair in a hallway at school, waiting for Screenwriting class to start. I was tired and cranky, looking over my script pages andContinue reading “Twins. I’m having twins.”

The fat lady has sung.

Traveling Light closed last night, and finally I can post the photos that would contain the most devious spoilers.  As always, all photos by Kyle Cassidy. Kyra Baker as W.P.C. Foster, Terence Gleeson as Officer MacDonald, Doug Greene as Joe Orton and Bob Stineman as Brian Epstein. Click on the images to view them fullContinue reading “The fat lady has sung.”

I listen for your footsteps, coming up the drive

This production of Traveling Light has a really special set. I haven’t mentioned the crunchiest part yet, but Jessica Foley does in her review for Phindie. ” I could report to you an intoxicating intimacy between Epstien and Orton built around a silk shirt and a deliberate tug at a belt buckle, or you can runContinue reading “I listen for your footsteps, coming up the drive”

Mark Cofta’s CityPaper review

Mark Cofta followed up his CityPaper feature piece with a review that makes my heart grow three sizes. An incisive script builds on an intriguing what-if.  “WE THINK:  Friel’s incisive script builds on an intriguing what-if: not-so-closeted bad boy Orton (Doug Greene) and very closeted Epstein (Bob Stineman) certainly met when Orton wrote his never-produced BeatlesContinue reading “Mark Cofta’s CityPaper review”

almost like being in love

Kyle’s photos have so much depth and detail that I can’t put them up full size; you’ll have to click on them for a full view.  There are a lot of beautiful pictures which I’m hesitant to post, because even though they’re so good, they’ll spoil the story. So, if you’re thinking about coming toContinue reading “almost like being in love”

I read the news today, oh boy.

You want to come see Traveling Light.  I haven’t been writing much lately, but other people have been, and the hard work of the production team and actors is coming to fruition in a delicate and multifaceted setting.  Fortunately, so far our coins in the wishing well are echoing and rippling rather nicely.  Playwrights workContinue reading “I read the news today, oh boy.”

too late to be night, too early to be morning

So, here’s some of what we were up to at Mount Moriah Cemetery. Again, Kyra Baker as WPC Foster, Doug Greene as Joe Orton, Bob Stineman as Brian Epstein, all photos by Kyle Cassidy. Only seven weeks to Opening Night. Performance Summary: Traveling Light by Lindsay Harris Friel, directed by Liam Castellan. Produced by Liam’s SofaContinue reading “too late to be night, too early to be morning”