Traveling Light closed last night, and finally I can post the photos that would contain the most devious spoilers. As always, all photos by Kyle Cassidy. Kyra Baker as W.P.C. Foster, Terence Gleeson as Officer MacDonald, Doug Greene as Joe Orton and Bob Stineman as Brian Epstein. Click on the images to view them full size.
Sad to see this opportunity go, but I’m deeply grateful for the good audiences who joined us, and the hard work, love, talent and skill of the entire cast and production team. Now, on to the next project: I’ve got two feature-length scripts to write this semester, and the writing elves are threatening a strike.
Oh, one more thing:
Not only is Liam Castellan a warrior prince and a scholar, but he’s the most casually photogenic person I know.
” I could report to you an intoxicating intimacy between Epstien and Orton built around a silk shirt and a deliberate tug at a belt buckle, or you can run up to the very top of the Adrienne and see it for yourself. To quote Joe (Orton): “Print is less effective than the spoken word because the blast is greater.”
L-R: Officer MacDonald (Terence Gleeson) drills WPC Foster (Kyra Baker) on police procedure, as Joe (Doug Greene) and Brian (Bob Stineman, not pictured) keep out of sight, but are they out of earshot? Set design by Kevin Jordan, lighting by Andrew Cowles, photo by Kyle Cassidy.
Director and producer Liam Castellan assembled a team of crack shot designers who connected deeply with this piece. Set designer Kevin Jordan spent many years in the military and in England, and knows the science of sneaking up on people. Costume designer John Hodges loves period costuming and clever details, he brought form, function, fashion and fun together for maximum effect. Lighting designer Andrew Cowles knows “too late to be night and too early to be morning,” and the subtle changes that time period has.
Come join us. You have six more chances to see this show. Click here for information about dates and times.
You want to come see Traveling Light. I haven’t been writing much lately, but other people have been, and the hard work of the production team and actors is coming to fruition in a delicate and multifaceted setting. Fortunately, so far our coins in the wishing well are echoing and rippling rather nicely. Playwrights work in planned obsolescence; you write and hope that your work will be handed off to others who will include enough of themselves that the piece can live on its own. So far, this theory holds up beautifully.
RepRadio came to rehearsal so we could talk about things. if you like to listen to conversations about theatre, RepRadio should be on your short list of podcasts. Darnelle Radford is really good at bringing out what’s best about theatre in this area.
Last night, Kyle Cassidy came and took photos of the final dress rehearsal. Having a photographer present seemed to give the actors a strong sense of how they relate to space and each other and remind them of physicality. Kyle has an excellent ability to use light to create texture and palpability in his photos. It also felt like having Obi-Wan Kenobi with us, at the beginning and at the final dress, to bookend the creative process.
I’m going to put photos in a separate post, because they’re big and beautiful and speak for themselves, but for now, here’s a taste:
Officer MacDonald (Terence Gleeson) on the hunt for sexual deviants, as Joe (Doug Greene) and Brian (Bob Stineman) try to blend in. Photo by Kyle Freaking Cassidy.
6630 Productions 